What Goes Into A Corporate Commission?

Last fall, a corporate client reached out to see if I still had any large paintings from my Hydropower series. They collected a piece back in 2021 and were looking to acquire art for a new building in the Atlanta area. In our conversations, I suggested that I make a painting of a hydroelectric dam in Georgia - something created just for them, but painted in the style of that series.

They loved the idea, so I did a site visit at Carters Dam (which also happens to be the highest earthwork structure east of the Mississippi River at 445 feet) and created the following three sketches:

As awesome as this dam is, it is not a TVA owned or operated facility, so it was not included in my book Dangerous Waters: A Photo Essay on the Tennessee Valley Authority, but it is a perfect subject for Hydropower painting.

The client chose Option 3. Here is the finished painting in my studio:

Carters Dam, oil on canvas, 48 x 72 inches, 2026. Private Collection.

I changed the color palette some (softened the foreground into a yellow-green and made the sky more saturated and flat), but it is otherwise as I sketched it out.

It was fun to visit this painting approach again, and I always welcome a visit to a hydroelectric dam.

Locust Projects Smash & Grab - Miami, FL

I'm honored to be a participant in this year's Smash & Grab at Locust Projects. I am a fan of Locust Projects' commitment to experimentation without the weight of commercial viability or desire. It is an incubator for risk-taking and conceptual thinking. 

If you're interested, you can take home the lovely painting, Prevents Passage. I made this painting in the spring of 2017 as part of my Spatial Change/Social Equity series. You can see it prior to shipping below.

Find out more about Smash & Grab HERE

 
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